May 2007
15 posts
My childhood was filled with images of Autobots intentionally destroying solar...
– A White Bear
"Finnegans Wake as a Secret Agent; ....a fantasy" →
Modernist Journals Project →
“The MJP is… intended to become a major resource for the study of the rise of modernism in the English-speaking world, with periodical literature at the center of this study.”
"The Freedom Principle: First Notes Towards a... →
Stephen: Here's another for you. (He frowns.) The reason is because the fundamental and the dominant are separated by the greatest possible interval which...
The Cap: Which? Finish. You can't.
Stephen: (With an effort.) Interval which. Is the greatest possible ellipse. Consistent with. The ultimate return. The octave. Which.
The Cap: Which?
(Outside the gramophone begins to blare The Holy City.)
Stephen: (Abruptly.) What went forth to the ends of the world to traverse not itself. God, the sun, Shakespeare, a commercial traveller, having itself traversed in reality itself, becomes that self. Wait a moment. Wait a second. Damn that fellow's noise in the street. Self which it itself was ineluctably preconditioned to become. Ecco!
Lynch: (With a mocking whinny of laughter grins at Bloom and Zoe Higgins.) What a learned speech, eh?
Come shadow, come, and take this shadow up,
Come shadow shadow, come and take...
– “Julia’s Wild,” Louis Zukofsky
Giornale Nuovo: Xul Solar →